Art deco in full colour: the Schneider glassworks

Charles shaped his talent in the burgeoning period of Art Nouveau: he took lessons at the Fine Arts Academy while working, from 1902 for the Daum studio. This glassworks’ economic and artistic boom also coincided with the presence of the Schneider brothers. Charles designed models of vases while Ernest held an administrative position. A change of management at Daum led to the departure of many employees. Ernest was let go in 1911 with a substantial severance payment and Charles also left the firm.

A pair of nautiluses that raise questions

In 1910, thanks to a large donation made by Miss Sophie Moxhon (including more than 2,500 objects), this astonishing pair of nautilus cups was added to the collections at the Grand Curtius. The shell’s surface was polished to a mother-of-pearl finish using a grinder or acid and then was carefully engraved with a décor of fantastical characters (sphinx, Terminus, etc.), scrolls, flowers, animals and horns of plenty.